I knew something was amiss when I was on a Skype call with my longtime television production partner Kate Tobin as I was thrashing through the final stages of editing of “Mind of a Rampage Killer.” She seemed rather grumpy, and so I naturally assumed I had done something to offend. But when I asked her about it, she confessed she found the subject matter “very disturbing.”
“It has worked my nerves,” said she.
It was a good reminder. In my line of work, there are times when you need to put your feelings aside in order to get enough perspective and objectivity to tell a tough story. And I have been so deeply enmeshed in this unhappy subject for so long, with no break, that I have grown some emotional calluses.